MUS-0001 Study Guide - Final Guide: Sprechgesang, Song Cycle, Xylophone
Document Summary
5 in c minor, 1st movement: early 19th century, movement of a symphony, austria, sonata form, played by expanded classical orchestra, (cid:862)heroi(cid:272) period(cid:863)- moderate/ fast tempo rhythmic drive. Short notes in quick succession, heavily accented notes, percussive feel (not as elegant as mozart/haydn) Single motive is constant in different forms that become increasingly vivid and significant. (cid:862)fate k(cid:374)o(cid:272)ks at the door(cid:863)- fate trampeled in the last movement: motifs come back into each and every movement (not common with mozart/ haydn, motif- (cid:862)stirs u(cid:374)easy re(cid:272)olle(cid:272)tio(cid:374)(cid:863, sense of physiological development. Beethoven, piano sonata in e major, op. 109, 1st mov: early 19th century, movement of a sonata, austria, sonata form, piano only. Introspective period: moderate tempo, fro(cid:373) beetho(cid:448)e(cid:374)"s late period, piano sonata (3-movement work for piano alone, two expressive themes contrast in tempo and meter. The son is taunted by the evil supernatural erlk nig (elf king), whom the father cannot see or hear.
