MUS 1751 : Music Test 3

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15 Mar 2019
School
Department
Course
Professor
Notes for Exam 3
Music Nationalism
Indigenous musical elements
o Folksongs
o Scales
o Dance Rhythms
o Local instrumental sounds
o Programs based on national subjects
Modest Mussorgsky (1839-1881)
o Career
Earned a precarious living
Composed during his spare time
Part of the “Mighty Handful” or ”Russian 5”
Talented amateur musicians
Pictures at an exhibition(1874)
o Based on paintings of Victor Hartman (1833-1873)
Each movement depicts a drawing or picture
o Orchestra by Marvin R in 1922
o A
o B
Promenade
o Suggest people wondering though the exhibition
o Transition music between many movements
o Solo contrats with full brass and then full orchestra
Polish Ox-cart
o Painting is lost
o Two not ostinato
o A long crescendo and diminuendo
Samuel Goldenberg and Schmuyl: two jews
o Rich and poor
o Individuals of different social status
Goldenberg
Rich and confident
The melody played in unison
Schmuyle
Poor and despairing
Melody fragmented between woodwinds and muted
trumpet
Rapid quivering notes
o The music causes the characters to interact
The Great Gate of Kiev
o Majestic conclusion to pictures at an exhibition
o Evokes Hartmann’s vision of a great triumphal arch
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o Each three section relates to the drawing
Three A section match the three arches
B and X section: procession and prayers of pilgrims
C (promenade theme): viewer walks through the arch
Chapter 22: Introduction to Romanticism
Classic
Romantic
Reason
Emotionalism
Rules and forms
Passionate self expression
Monuments of Ancient Greece and Rome
Wonders of nature
Love
Sentiment pervaded entire era
Longing and despair, not happiness and fulfillment
o Someone is typically always pining for someone unattainable
Music expresses inarticulate depth of emotion
Unrequited Love-Loving someone is the love is not returned
Role of Composer
No longer servants to aristocracy
Now prophet or demigod
o Inspire audience
o Music morally uplifting and beautiful
Music no longer entertainment, but art
Serious tone in concert hall
Changed because of Beethoven
o Had more than 1 patron
Melody
Broad, sweeping themes
o Lyrical and expressive
o Build to grandiose climax
Phrases
o Longer
o Rhythmically flexible
o Irregular in shape
Harmony
Colorful harmony contributes to emotional intensity
Chromatic notes
o Add color
o Make distant modulations easier
Very different key signatures
More striking sound
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(Prolonged) Dissonance creates greater anguish and drive to resolution
Bold harmonic shifts
Rhythm
Flexible and languid
Meter can be obscure
Rubato
o Italian for “robbed”
o Exaggerates rhythmic flow
o Gives performers more artistic freedom
No strict time regulations- can speed up and slow down later, etc.
Form
No new forms thru composition
Extended existing forms
Character piece
o Brief binary/ternary form
o Essence of single mood
o Whimsical titles
Romantic Orchestra
Increased in size to 100 musicians
Conductor
o Larger ensemble required someone to coordinate effort
o Position involved from time-keeper to interpreter
Major responsibility
Woodwinds
o New fingering mechanisms
o Silver flute replaced wood flute
o Piccolo, English Horn and Contrabassoon frequently included
Brasses
o Full section
o French Horn
Addition of valves
Favored for rich dark tone
Associated with nature and the hunt
Percussion
o Standard feature
o Very significant feature of orchestra
New instrument of the day
o Tuba
The Virtuoso
Pianists and violinists most common
o Wizard-like dexterity
o Often more showmanship than musical substance
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Document Summary

Monuments of ancient greece and rome wonders of nature. Passionate self expression: sentiment pervaded entire era, longing and despair, not happiness and fulfillment, someone is typically always pining for someone unattainable, music expresses inarticulate depth of emotion, unrequited love-loving someone is the love is not returned. Melody: broad, sweeping themes, lyrical and expressive, build to grandiose climax, phrases, longer, rhythmically flexible, irregular in shape. Harmony: colorful harmony contributes to emotional intensity, chromatic notes, add color, make distant modulations easier, very different key signatures, more striking sound (prolonged) dissonance creates greater anguish and drive to resolution, bold harmonic shifts. Rhythm: flexible and languid, meter can be obscure, rubato, italian for robbed , exaggerates rhythmic flow, gives performers more artistic freedom, no strict time regulations- can speed up and slow down later, etc. Form: no new forms thru composition, extended existing forms, character piece, brief binary/ternary form, essence of single mood, whimsical titles.

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