VPMA93H3 Study Guide - Final Guide: Claude Debussy, Florentine Camerata, Merce Cunningham
Document Summary
Plays directly with blue notes (the tonics) lowered thirds. Thus reflects his (cid:862)feeli(cid:374)g(cid:863) th(cid:396)ough this singing, increasing the emotional response. Ornamented, ascending and descending contours with conjunctive motion, narrow range. Krzysztof penderecki, threnody: to the victims of hiroshima (1960): https://www. youtube. com/watch?v=hilgthrhwp8. Later dedicated to the event of hiroshima atomic bombing event. Quarter-tone interval (half the size of a half step, aka dissonance) Playing the highest note possible on the instrument. Playing with the bow on the bridge of the violin. Playing with the bow above the fingerboard of the violin. Playing with the wood of the bow. Playing on the tailpiece of the instrument. Striking the string with the wood of the bow. Striking the upper sounding board of the violin with the nut of the bow or the finger tips. Section 1 (0:35) high pitched dissonant clusters. Section 2 (1:58) varied texture of multiple sound effects in rapid succession. Section 3 (2:51) sustained tones and quarter-tone clusters linked with glissandos.
