ART 142 Study Guide - Fall 2018, Comprehensive Midterm Notes - Italy, Virginity, Renaissance

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ART 142
MIDTERM EXAM
STUDY GUIDE
Fall 2018
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The proto- Renaissance in Italy
Place, purpose and point of view
Place: Italy, 13th hundred and 14th hundred, independent city states. Regions shifted
over time i.e war
Not known as Italians → Romans, Florentines, Venetian
Each has it’s own government within the state
Art
Precursor: maniera greca/ italo = Byzantine style
Followed by: more naturalistic depictions of the human body and environment
Cimabue, Madonna enthroned with Angels and Prophets
Nickname, not his actual name → ox head
He was a major artist
Associated with Gothic and Pre-renaissance style
Initiates a bit of a move from static → realistic style 3D space, naturalistic human form
Departing from Byzantine, using gold to highlight texture and forms and draperies
Not flat → gold = person is in heaven
Not to worship actual image, focus on person in heaven
Linear perspective, show he is depicted in space
Gitto, Madonna Enthroned from church of Ognissanti
Florentine painter, architect, and sculptor
Greatest and most influential Italian painter before the Renaissance
Introduces nature and restore italian art
Roman was celebrated for realistic treatment of human figure
Robes drape heavily around limbs, no gold highlights but shades to depict heavy shape.
Depth that retreats backwards.
Scrovegni (Arena) Chapel, Padua
{aduan money- lender
Dante put his father in the seventh circle of hell for his ill-gotten gains
He put people in hell
usury → worst place in hell, bad thing to do
He decided to make church dedicated to Virgin of Charity
Build on arena
Usury: action or practice of lending money at unreasonably high rates of interest
→ Giotto, interior frescoes of the Scrovegni
Life of virgin from parents
Brightly coloured narrative scenes
Decorative borders with quatrefoils
Visitation, fresco
St Elizabeth in baby wombs leaps and realizes he’s St John the Baptist
She’s establishing meeting, babies greet each other
Positive natural creation
Goes with laws of Christianity and positive light
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Making new things
Hiring of Judas
Judas in yellow cloak → yellow is a colour of identification
He is representing sin → making money in a bad way
Hiring him to betray his teacher → Jesus
Creating money through betrayal and sin
Betrayal of Jesus
After the last supper
Kissing friend to show this is the one he wants
Yellow clock → Judas
Looking at face with compassion
Artist: adding a lot of emotional expression, chaos, malestom
Fighting for Jesus, Peter holding knife
Helmets → metallic pigment, shiny silver
Lamentation fresco
Nothing new that hasn’t been depicted before
Artist: human emotions, landscape to emphasis
Leafless tree → symbol of Jesus’s death
Everyone looking down → At jesus, landscape as well
Directionality, motion of figures
No display of true emotion is art pieces
Depicted by their symbols
Trying to get angels right → doesn’t have the right formulas
Paired with resurrection
All framed by decorative border, visual continuity
Follow narrative in scene → indulgence (way to get to out of purgatory quicker)
Challenges viewer to find own path, what moral rights given
Virtues on right, vices on left.
Hope and Desperation
Left vs right
Punishment for usury → purpose of chapel and patron
Very afraid of being punished for loaning money and charging interest
Right from wrong
Last Judgement
If you chosen correctly, this is where it is decided
Rainbow halo
Takes everything, harnessed and put into religious symbolism
Angels around
Apostles to right, buddies.
All together/ purpose
Patron, donor → self depicted in art Good moral standings for donating”
He’s presenting a model of his own chapel
He’s depicted in a green robe → distributing alms
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Document Summary

Place: italy, 13th hundred and 14th hundred, independent city states. Not known as italians romans, florentines, venetian. Each has it"s own government within the state. Precursor: maniera greca/ italo = byzantine style. Followed by: more naturalistic depictions of the human body and environment. Nickname, not his actual name ox head. Initiates a bit of a move from static realistic style 3d space, naturalistic human form. Departing from byzantine, using gold to highlight texture and forms and draperies. Not flat gold = person is in heaven. Not to worship actual image, focus on person in heaven. Linear perspective, show he is depicted in space. Greatest and most influential italian painter before the renaissance. Roman was celebrated for realistic treatment of human figure. Robes drape heavily around limbs, no gold highlights but shades to depict heavy shape. Dante put his father in the seventh circle of hell for his ill-gotten gains. Usury worst place in hell, bad thing to do.

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