THTR 1020 Chapter : The Art Of Acting
Document Summary
The body - dance, martial arts, fencing , stage combat, circus techniques, The voice- breathing techniques, vocal fry( when someone runs out of breathe before the end of the sentence) , vocal techniques in pitch, volume and resonance (projecting) , dialects (accents) , international phonetic. The mind- memorization skills, engaging with the imagination, levels of empathy, keen awareness of surroundings and others, ability to analyze and synthesis information quickly. Tadashi suzuki- suzuki"s training embodies the stamina and concentration of traditional japanese theatre. This rigorous training is designed to temper and shape the body so the actor can bring to the stage a brilliant liveliness that takes into account of the tiniest details of movement . Ability to visualize imaginatively the world of play. Tools one can have- empathy, substitution, use of imagery, recall, given circumstances, magic if, through line actions. What is this characters main driving force? . What is the most important thing to this character? .
