ITA240Y1 Chapter Notes - Chapter 38: Trevi Fountain, Peter Bondanella, Auteur Theory
Document Summary
Chapter 38: fellini"s critical reputation suffered to some degree because of his virtual identification with the idea of the director as a superstar when academic scholarship moved beyond enthusiasm for the auteur approach in the late twentieth century. Africa: tornatore"s casting of comic actors identified with fellini"s film, the con-artist"s strange caravan filled with cameras and microphones directly recalls the equally odd caravan pulled by a us motorcycle zampano drives in la strada. 1: early sequences in fellini satyricon - the many static tableaux of outlandish characters of situations shot by a camera moving through the insulae or tall apartment complexes of the roman. In allen"s opening sequences, sandy bates experiences a version of fellini"s famous traffic jam as a metaphor for artistic blockage: fellini"s stroke of genius in 8 , like pirandello"s in sei personaggi in cerca di un autore (six.
