ITA240Y1 Chapter Notes - Chapter 34: Postnationalism, Transnationalism, Nationstates
Document Summary
Italian cinema as an object of study & how italian cinema presently co mments on those labels. April 2010: these additional incentives were already put in place by law 28/2004, also are known as both. Legge urbani" and legge cinema", and first applied in 2006. In 2011 the funds assigned to the fus (fondo unico per lo spettacolo) were less than one-third of those in 1986. In an italy market which has been dominated by a duopoly since the mid-1980s, identifies with two subjects only: mediaset/medusa film and rai cinema/01 distribution. It is [rai and mediaset] that decide whether a film gets made or not. The market share of european films in eu cinemas has fallen steadily from approximately 60% in the mid-1960s, a period now widely characterised as the golden age of european cinema, to a mere. 23%, in other words, less than a quarter, in 2000.
