ARTT 150 Study Guide - Midterm Guide: Friedrich Nietzsche, Bertrand Russell, Juan Gris

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MAJOR FIGURES:
Friedrich Wilhelm Nietzsche
Nutshell bio
Century: October 15, 1844 August 25, 1900 (19th century)
Country of origin:
Language spoken/written:
Important writings:
Historical details discussed in class
Plato
Nutshell bio
Century:
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Language spoken/written:
Important writings:
Historical details discussed in class
Socrates
Nutshell bio
Century:
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Historical details discussed in class
Aristotle
Nutshell bio
Century:
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Important writings:
Historical details discussed in class
Kant
Nutshell bio
Century:
Country of origin:
Language spoken/written:
Important writings:
Historical details discussed in class
PART I
Zarathustra
Basic story:
Key language (think about in terms of creativity, art, the function of art, standards by which art is
judged and to use to compare with Socrates)
‘I love man’
‘Could it be possible, the old saint has not yet heard anything of this, that God is dead?’
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Document Summary

Friedrich wilhelm nietzsche: nutshell bio, century: october 15, 1844 august 25, 1900 (19th century, country of origin, language spoken/written, historical details discussed in class. Plato: nutshell bio, century, country of origin, language spoken/written, historical details discussed in class. Socrates: nutshell bio, century, country of origin, language spoken/written, historical details discussed in class. Aristotle: nutshell bio, century, country of origin, language spoken/written, historical details discussed in class. Kant: nutshell bio, century, country of origin, language spoken/written, historical details discussed in class. Key language (think about in terms of creativity, art, the function of art, standards by which art is judged and to use to compare with socrates) Could it be possible, the old saint has not yet heard anything of this, that god is dead?". On the thousand and one goals": especially para. Bertrand russell terms: appearance and reality, sense data, matter, sensation. Bottom of page 102: familiar distinction, extrusion of art from the integrated structure of society.

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