RTF 306 Lecture Notes - Lecture 1: Kenji Mizoguchi, Osaka Elegy, Benshi
12 Dec 2019
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Document Summary
1909-1914: major studios operate in japan that are vertically integrated. Fused characteristics of western films with indigenous culture and aesthetics. 17th century form of theater using elaborate makeup and acting styles. Never overshadowed by hollywood in silent era. Rebuilding in tokyo impacted cinemas as one of the key industries of the city. Japan was one of the last countries to convert to sound. Concerns over us technology leading to western dominance. Introduction of sound ended the kabuki influence; oyama and benshi phased out as well. Two key filmmakers (result of success of the auteur theory) Technique: distant perspective through use of long shot ad long takes/ reduces emotion. Static camera and a lot of interiors. Slow movies, focus associated with pain and change. Deleted scenes that related to anglo culture. Us occupation of japan: impact on national cinema. Teach japanese their defeat, war guilt, their own suffering. Us govt want to get involved with cultural values in japanese film industry.
