COMM 231 Lecture Notes - Lecture 6: Color Temperature, Color Grading, Digital Cinema
22 Sep 2016
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Screening the lm side by side (chris kenneally, 2012)! Has pixels, when light hits camera pixels are converted! 2. ) what are key sentiments for the pro- lm argument and the pro-digital argument! Lm: natural break in action (taking magazine on and off)! Digital: you can see exactly what you"re capturing as you"re capturing it! Lm: hearing the lm running is essentially hearing money running people take it more ! Digital: immediately seeing the product sometimes leads to overthinking, wanting to do several ! Digital: dps might be getting input from tons of people on the set, watching as it happens (they ! Digital: no takes, taking away from actors performances, etc. Lm: you can"t run the camera for long (about 9 mins max. Digital: such long takes mean actors/crew can"t take breaks! Detail in the brightest of brights and the shadows of dark! Lm can handle (without blowing out) slightly overexposed or underexposed lighting!
