ITAL 152 Lecture Notes - Lecture 13: Present Tense, Cinema Paradiso

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ITAL152 Lecture #13 - The Conformist and La Dolce Vita
Lecture - The Conformist
Has the narrative structure of a dream
Organizing logic of the narrative is Marcello’s mind
Always inside his head
Set in 1938
Fascist dictatorship
Epilogue: 1943
The day of Mussolini’s deposition
Protagonist: Marcello Clerici
Structure of the Film
Plotline - Car journey from Paris to Savoy
Present tense of the film
Main plotline
Repeatedly interrupted by a number of flashbacks that pop up in
Marcello’s mind
They are unrealistic
Have an impressionistic, dream-like quality
His memories
Repressed desires
Our mind plays tricks
Freud has talked about certain mechanisms in our mind during
dreams
*Condensation: Squeeze different things together
*Symbolic Association: Your mind projects things
Transgression of Neorealism compared to the other Neorealist films
Subjective perspective
Projection of the main character’s mind
Final transgression of the rules of Neorealism
Not a rough, gritty style
Cinematic image is polished and beautiful
Mesmerizing camera quality and angles
Look back
The Title
Search for normality
Reference to the predicament/dilemma of the protagonists who wants to
be seen by the rest of society as a normal
person
This is because he sees himself as different
Says this to Italo
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Document Summary

Ital152 lecture #13 - the conformist and la dolce vita. Has the narrative structure of a dream. Organizing logic of the narrative is marcello"s mind. Plotline - car journey from paris to savoy. Repeatedly interrupted by a number of flashbacks that pop up in. Freud has talked about certain mechanisms in our mind during dreams. Transgression of neorealism compared to the other neorealist films. Final transgression of the rules of neorealism. Reference to the predicament/dilemma of the protagonists who wants to be seen by the rest of society as a normal person. This is because he sees himself as different. He does this by becoming a fascist, getting married, embracing middle class life, and killing his ex-professor. The logic here is that a killing atones from a previous killing. The period was marked by his research on psychoanalysis. Keeps under control and repress the desires and urges of the id so they do not come to surface.

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