ISS 210 Lecture Notes - Lecture 22: Clay Shirky, Tunisian Revolution, Emotional Labor

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Performative culture of digital media: (cid:862)i(cid:374)stagra(cid:373) filter(cid:863) effe(cid:272)t: i(cid:373)ages a(cid:374)d (cid:373)o(cid:373)e(cid:374)ts appear (cid:373)u(cid:272)h (cid:373)ore vibrant and picture-perfect than in reality. Public and performative: busy daily schedule, work a(cid:374)d ho(cid:373)e life i(cid:374)disti(cid:374)guisha(cid:271)le: (cid:862)(cid:455)ou are (cid:455)our (cid:271)ra(cid:374)d(cid:863) , (cid:862)(cid:373)arket (cid:455)ourself a(cid:374)d (cid:271)e professio(cid:374)al at a(cid:374)(cid:455) ti(cid:373)e(cid:863, be ready to meet and network with potential partners. Emotional labor as concealed labor: service industry, management of feelings (emotion as part of their network, under-valued and underpaid, gendered. Bloggers" e(cid:373)otio(cid:374)al la(cid:271)or: fashio(cid:374) (cid:271)loggers" (cid:449)ork as e(cid:373)otio(cid:374)al la(cid:271)or, a nicely documented glamorous living, digital images of perfection (passion + social media accounts) Iv. accessible to everyone: personal issues are unseen: anxiety, loss of pri(cid:448)a(cid:272)(cid:455) , concealing the labor behind the scenes. Beyond fashion blogs: freelance social coverage (in sports events/film festivals, fashion and makeup tutorial videos, flexible work, less attached to institutions, but contingent and underpaid.

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