EN 4583 Lecture Notes - Lecture 4: The Voyage Out, Masculinity, Claude Monet
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2: atte(cid:373)pts to t(cid:396)a(cid:374)sfo(cid:396)(cid:373) p(cid:396)i(cid:448)ate loss i(cid:374)to pu(cid:271)li(cid:272) e(cid:454)pe(cid:396)ie(cid:374)(cid:272)e; it"s a genre preoccupied with formal con(cid:448)e(cid:374)tio(cid:374)s e(cid:454). Be(cid:374)(cid:374)ett"s (cid:272)(cid:396)iti(cid:395)ue: formed the basis for the longer paper called character in. 3: reprinted as one of the first hogarth essay series the lead essay in a collection by the hogarth press essays; also in that collection is t. s. Eliot and gertrude stein; this essay however becomes the most influential in terms of modernist: edwardian era king edward vii (king from 1901-1910, bennett, h. g. Wells, galsworthy linear, plot based, real characters; high stakes and death: georgian era george v, t. s. Flanders whose form will not exist in the world unless he makes one for himself (pg. 36: mrs. brown, generalizes, can exist everywhere; a myriad of impressions. 4: the writer then makes up a myriad of interpretations of this character different from the way bennett writes. 5: post-impressionism (1880s, 1890s) and bloomsbury (with help from.
