CS100 Lecture Notes - Lecture 20: Ferris Wheel, Radio Days, True Mass
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The (cid:449)a(cid:455) (cid:373)o(cid:448)ies e(cid:448)ol(cid:448)e i(cid:374)to (cid:449)hat the(cid:455) ha(cid:448)e (cid:271)e(cid:272)o(cid:373)e that"s a (cid:449)a(cid:455) of e(cid:374)tertai(cid:374)(cid:373)e(cid:374)t. It did(cid:374)"t (cid:374)e(cid:272)essaril(cid:455) (cid:374)eed to e(cid:448)ol(cid:448)e i(cid:374)to (cid:449)hat it has (cid:271)e(cid:272)o(cid:373)e toda(cid:455) It was imagined early that that the cinema, the movie making machine, would only ever be just another amusement park side show. ( e. g knocking over milk cans with baseball) It was assumed that it would have a very inconsequential place in culture. It was the most popular form of entertainment in the early 19th century. (1928 gigantically. At one point 90 million movie tickets were sold in america. influential) The rise of the cinema mirrored the rise of the city. ( changes in social life- modern industrial city) Artistic expression , as well as a mass entertainment vehicle that is why it is relatively different than other forms of communication media. Erin tanovsky film department in new york"s moma. 1934 moma was considering adding a film collection.
