MUS302H1 Lecture Notes - Lecture 9: Vienna Philharmonic, New York Philharmonic, Gustav Mahler
Document Summary
I: standing by the coffin of a well loved person whose life, struggles passions and aspirations pass before us. Ii: re(cid:272)all happ(cid:455) (cid:373)o(cid:373)e(cid:374)ts fro(cid:373) the past (cid:862)a shaft of su(cid:374)light fro(cid:373) out of the life of this hero(cid:863); a(cid:374)d a sad re(cid:272)olle(cid:272)tio(cid:374) of his (cid:455)outh a(cid:374)d lost i(cid:374)(cid:374)o(cid:272)e(cid:374)(cid:272)e. The 20th century: nationalism where music is distinctly unique and based on cultural identity, 1870: pushing dominance of german style. Impressionist painting: muffled brush strokes to create movement like realism: e. g. , monet, sunrise (1874) Melody: motives rather than long themes, rarely tuneful or singable, preference for undulating patterns, scales that weaken the sense of tonic, whole-tone: equal weight between notes, pentatonic, chromatic: largely used for colour. Harmony: static harmony instead of strong cadences, triad expanded to seventh and ninth chords, chords frequently move in parallel motion. Rhythm: free, flexible rhythms with irregular accents, meter often obscured. Colour: emphasis on woodwinds and brasses, soloistic writing.
