VPMA99H3 Lecture Notes - Lecture 13: Josquin Des Prez, Maurice Ravel, Totton And Eling
Document Summary
Notion of time. historical dimension of . why do we talk about musical history. so that we can compare an contrast. Listening excercise; selected kyrie: medieval- plainchant; monosomic, not organised, churce atoshere, a warm melody moving form one pace 2 aother. Medieval- machaut 14th c polyphony chant plyphony. ccmoact texture, voie are going kind of over one another. Modal much hard to figure out twhats its doin. tonality: renaissance plastrina 16th ; kthi is quiet open. Each voice has nice ranger according to the structure. Melodies are shifting form long lines has a clear rise and fall in melody. Some are cler melodic structure. the resukt and harmny being sweeter to our ears. Baroque- bach 18th; the tme spane is fairly longer than others. the notion of istrment playing wth in the chant. traditional were mostly on vocal. but in bach substabtial instruments playing alone. Expands he scale, this piece is much longer than other pieces.
