VPMA93H3 Lecture Notes - Lecture 4: Trout Quintet, The Sequence, Homophony
Document Summary
Listening pieces: copland, appalachian spring, crumb, black angels. 3) mozart, queen of the night: orff: carmina burana fortuna imperatrix mundi: o fortuna, chopin: waltz no. 8 in a flat major: barber: adagio for strings, traditional: auld lang syne, boulez: le marteau sans maitre, mozart: ah! Vous dirai-je, maman: mozart: the magical flute, act 1- der vogelfanger bin ich ja, schubert: trout quintet iv, mozart: eine kleine nachtusik-iii, menuetto, mozart: the magical flute, act ii- der holler ache (queen of night) Part 2: structure: hearing musical structure, musical forms, hearing musical structure. Music & memory (composers assume that we know the history of their music) Need to follow what they are doing. Serlialism: composing w/ a series (ex. pitches) Pitches applied mathimatically to make a compositions. A piece can be highly structure but it can be orally chaotic. John cage: composer set the parameters for the composition to happen.