VPMA93H3 Lecture Notes - Lecture 1: Evelyn Glennie, Engine Balance, Fundamental Frequency
Document Summary
Vpma93 lecture 1 introduction to listening and sound. (cid:862)the i(cid:373)po(cid:396)ta(cid:374)(cid:272)e of (cid:272)(cid:396)eati(cid:448)e liste(cid:374)i(cid:374)g is too ofte(cid:374) ig(cid:374)o(cid:396)ed i(cid:374) dis(cid:272)ussio(cid:374) of (cid:373)usi(cid:272)al a(cid:271)ilit(cid:455), a(cid:374)d (cid:455)et it is as fu(cid:374)da(cid:373)e(cid:374)tal to (cid:373)usi(cid:272) as it is to la(cid:374)guage. (cid:863) (cid:862) it is (cid:272)lea(cid:396) that the (cid:272)(cid:396)eatio(cid:374) a(cid:374)d pe(cid:396)fo(cid:396)(cid:373)a(cid:374)(cid:272)e of (cid:373)ost (cid:373)usi(cid:272) is ge(cid:374)e(cid:396)ated fi(cid:396)st a(cid:374)d fo(cid:396)e(cid:373)ost (cid:271)(cid:455) the human capacity to discover patterns of sound and to identify them on subsequent occasions. Without biological processes of aural perception, and without cultural agreement among at least some human beings on what is perceived, there can be neither music nor (cid:373)usi(cid:272)al (cid:272)o(cid:373)(cid:373)u(cid:374)i(cid:272)atio(cid:374). (cid:863) (cid:862)e(cid:448)e(cid:374) if a pe(cid:396)so(cid:374) des(cid:272)(cid:396)i(cid:271)es (cid:373)usi(cid:272)al e(cid:454)pe(cid:396)ie(cid:374)(cid:272)es i(cid:374) the te(cid:272)h(cid:374)i(cid:272)al la(cid:374)guage of (cid:373)usi(cid:272), he is i(cid:374) fa(cid:272)t describing emotional experiences which he has learned to associate with particular musical sou(cid:374)ds. (cid:863) (cid:862)cu(cid:396)(cid:396)e(cid:374)tl(cid:455) (cid:396)e(cid:272)og(cid:374)ized di(cid:448)isio(cid:374)s (cid:271)et(cid:449)ee(cid:374) a(cid:396)t musi(cid:272) a(cid:374)d folk musi(cid:272) a(cid:396)e i(cid:374)ade(cid:395)uate a(cid:374)d misleading as conceptual tools.
