FAH392H5 Lecture Notes - Lecture 11: Sayajirao Gaekwad Iii, Nandalal Bose, William Logsdail
Document Summary
Modernism and nationalism: indian art in the early 20th c: a(cid:271)a(cid:374)i(cid:374)d(cid:396)a(cid:374)ath tago(cid:396)e, (cid:862)bha(cid:396)at mata(cid:863) (cid:1005)(cid:1013)(cid:1004)(cid:1010, watercolour, beginning of new age in indian art, modern means of expression. Key dates: 1914 ghandi returns to india, 1930 gha(cid:374)di"s alt ma(cid:396)(cid:272)h, 1947 india becomes independent. Week 10 princely and imperial india: durbars and the construction of new delhi: why were processions ideal subjects for films? (3 points) The processions allowed the frame to be almost constantly full of movement and liveliness. Since the processions were along a pre-determined route, the artist did not have to work much to film it, apart from setting up the camera in a decent location. This led to many artists producing the same processional subject, and film viewpoint. (cid:1006)(cid:895) a(cid:272)(cid:272)o(cid:396)di(cid:374)g to botto(cid:373)o(cid:396)e, (cid:449)hy (cid:373)ight the du(cid:396)(cid:271)a(cid:396) (cid:271)e (cid:272)o(cid:374)side(cid:396)ed (cid:862)soft (cid:448)isual p(cid:396)opaga(cid:374)da(cid:863) fo(cid:396) the. Most of the durbar films were made by and for western people.
