CIN 3110 Lecture Notes - Lecture 6: Imagined Community, Small Business, Shared Experience

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The History of British Cinema Class 6:
Post-Colonial
Represent immigrant experience after the war
Both focus on immigrant families of south-asian heritage.
Newly mutli-cultural British Isles.
Re-Imagined Community
A series of narratives, a set of symbols in relation to which the populace, with diverse
backgrounds, imagine themselves.
How it comes into conflict with or is reimagined with new British subjects
Comedy of Manners.
Fit in tradition of the genre
Derives humour and social bite from depicting the tensions between different kinds of
people in domestic, every day, social situations
Ethnicity and Eroticism
Interracial romances
Focuses on desire for other kinds of bodies as one of the most important engines for
integration
Multiculturalism is an element/physical desire.
Engaging with other bodies/kinds of people.
Imagined community
Each of the films that we’ve studied engages with the idea of Britain as imagined
community.
Somehow part of an accessible popular culture.
Key crux- many of those narratives/characters/symbols were formed into standard fair of
Britain’s idea of itself before the mass immigration.
Many of Britains ideas of itself were forged.
Structural tension as the nation in its culture, and the new members of that nation who
don’t recognize themselves, find an easy place for themselves, etc. Feelings of national
identity.
All subjects in empire can live/work in Great Britain itself.
Have a place within the metropolis
Much more immediate economic self-interest.
Major labour shortage because of WWII.
Mixed motivation pressed to produce new legal situation.
First ship to arrive was the SS Windrush Trinidad to London.
o Numbers of POC started increasing significantly starting with this ship.
2 key films imagine Britain through this central metaphor
o in which we serve metaphor of the ship to stand in for the nation. A matter of
life and death village.
o Ship & village come with implications of how nation is seen
Ship- industrial, military, hyper-modern, rigidly organized. Serious
implications of the structure
Village- rural, low-tech, based on face-to-face relationships, organic,
evolves overtime.
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Document Summary

Post-colonial: represent immigrant experience after the war, both focus on immigrant families of south-asian heritage, newly mutli-cultural british isles. Re-imagined community: a series of narratives, a set of symbols in relation to which the populace, with diverse backgrounds, imagine themselves, how it comes into conflict with or is reimagined with new british subjects. Comedy of manners: fit in tradition of the genre, derives humour and social bite from depicting the tensions between different kinds of people in domestic, every day, social situations. Interracial romances: focuses on desire for other kinds of bodies as one of the most important engines for integration, multiculturalism is an element/physical desire, engaging with other bodies/kinds of people. Imagined community: each of the films that we"ve studied engages with the idea of britain as imagined community, somehow part of an accessible popular culture, key crux- many of those narratives/characters/symbols were formed into standard fair of.

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