SOC461 Lecture Notes - Lecture 8: Wine, Social Capital, Cultural Capital

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Soc 461 Oct 13, 2016 : Bordieu
Manhattan
Keatos haate is e apale of talkig aout at itelligetl, ith a oad oaula ad
capability.
Alles haate hoee, is ol ale to ake geei ad asi stateets.
Judgements of taste based on social combat, in a sense.
1.Showing your class
Marx talks about means of production and that kind of capital.
Faber talks about social capital, being able to interact with different types of art.
1a. The aesthetic judgement of taste
Taste> The ability to make objective judgements about art, beyond your own personal preference, and
to diffeetiate good ad ad at.
To ehiit taste ad disiiatio eas ou a idetif h oe ojet is ette tha
another. (You might be able to say why this painting by Raphael is better than that one he also
made.)
Boudieu taitl itiizes Kats lai aout judgets of taste:
o The ust e disiteested….
1b. The varieties of aesthetic attitudes.
Art galleries: Open to anyone:cheaper, We walk reverently around the gallery standing
uncomfortably to take in the work, appreciate the forms of the picture.
Opera: Expensive, but open to those who can pay. Sit in silence to observe performance: but
socialize in interval or look at patrons in boxes, Appreciate the composition and staging.
Fine wine: Expensive; assumes knowledge of wines. Consumed at home, but with a ritual of
opening, pouring, smelling, sipping, and commenting. Appreciate the subtle flavours of the
wine.
Twentieth century theories of the aestheti attitude da fo Kats aout of disiteest
assume that there is one way of engaging with art to appreciate it aesthetically.
Boudieus eidee poits to the diffeet as of ehaig toads diffeet tpes of at, ut
all accounts described hee hae soethig of the aestheti attitude aout the.
Hae to deostate that ou ko the ultue.
1c. Intra-class conflict
>Class: Social groups defined by ownership of capital
>Class fractions: Sub-groups within a class, with varying degrees of power within it.
Dominant elites: Those in the top stratum of society, participating in institutions with power at
center.
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Document Summary

Soc 461 oct 13, 2016 : bordieu. Manhattan: keato(cid:374)(cid:859)s (cid:272)ha(cid:396)a(cid:272)te(cid:396) is (cid:448)e(cid:396)(cid:455) (cid:272)apa(cid:271)le of talki(cid:374)g a(cid:271)out a(cid:396)t i(cid:374)tellige(cid:374)tl(cid:455), (cid:449)ith a (cid:271)(cid:396)oad (cid:448)o(cid:272)a(cid:271)ula(cid:396)(cid:455) a(cid:374)d capability, alle(cid:374)(cid:859)s (cid:272)ha(cid:396)a(cid:272)te(cid:396) ho(cid:449)e(cid:448)e(cid:396), is o(cid:374)l(cid:455) a(cid:271)le to (cid:373)ake ge(cid:374)e(cid:396)i(cid:272) a(cid:374)d (cid:271)asi(cid:272) state(cid:373)e(cid:374)ts. Judgements of taste based on social combat, in a sense. 1. showing your class: marx talks about means of production and that kind of capital, faber talks about social capital, being able to interact with different types of art. The varieties of aesthetic attitudes: art galleries: open to anyone:cheaper, we walk reverently around the gallery standing uncomfortably to take in the work, appreciate the forms of the picture, opera: expensive, but open to those who can pay. Sit in silence to observe performance: but socialize in interval or look at patrons in boxes, appreciate the composition and staging: fine wine: expensive; assumes knowledge of wines. Consumed at home, but with a ritual of opening, pouring, smelling, sipping, and commenting.

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