CMNS 321 Lecture Notes - Lecture 3: Apple Music, Spotify, Exponential Growth

• School: Simon Fraser University
• Department: Communication
• Course: CMNS 321
• Professor: Vincent Andrisani

Document Summary

The recording industry: copyright, technology, community: recorded music: music became a tangible, material object to be bought and sold, the recording industry: the centralization and industrialization of musi(cid:272)(cid:859)s production and consumption around audio media. The history of the music industry over the course of the twentieth century (cid:858)ti(cid:374) pa(cid:374) alle(cid:455)(cid:859), ne(cid:449) yo(cid:396)k: a collection of new york city publishers and musicians who were integral in developing an industry around popular music. The ear could not tell when it was listening to the phonograph along, and when to actual voice and reproduction together. Technological and economic developments both shaped and were shaped by musical attitudes, interests, and preferences: the emergence of rock and roll in the 1950s. It was a threat to society both culturally & politically: it had a rebellious tone. It explicitly favoured african ways of making music over european. It foregrounded working-(cid:272)lass se(cid:374)si(cid:271)ilities i(cid:374) fa(cid:448)ou(cid:396) of ti(cid:374) pa(cid:374) alle(cid:455)(cid:859)s (cid:373)iddle(cid:272)lass orientation.