MUAR 211 Lecture Notes - Lecture 1: Piano Sonata, Medieval Music, Equal Temperament
20 Feb 2018
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*a capella is for the choir: ensemble: ("scoring", "orchestration": essentially what timbres are heard in the piece?) It(cid:859)s the easiest thi(cid:374)g to spot i(cid:374) (cid:373)usi(cid:272). Dynamics (the relative loudness or softness at any given point in the music). How subtle are the changes in the dynamics: melody: (the "linear component of music", pitch & rhythms in succession that form a characteristic whole, often the most memorable part of musical texture). It is usually what we remember about the music. We say linear component because it take splace in time; one note of the other. Is the melody generated by sequential treatment of either a single or very few, short rhythmic motives: for instance, the baroque. How large is the range of the melody? (does it have a big range that is requires professional singers to sing the upper notes that are more complicated). E(cid:454): (cid:862)allelujah(cid:863): a g(cid:396)ego(cid:396)ia(cid:374) (cid:272)ha(cid:374)t. a (cid:272)ha(cid:374)t is al(cid:449)a(cid:455)s a pu(cid:396)e (cid:373)elod(cid:455).
