MUSI 1002 Lecture Notes - Lecture 4: Against Interpretation, Kevin Saunderson, Auto-Tune
Document Summary
Positive and negative aspects of technological advancements in sound recording. Technology can open up new performance spaces and practices. These spaces are not always available for everyone. Developments in 19th c brass band instruments. Started to see the producer as an artist. New recording technologies have opened up creative possibilities that have led to emergence of new genres (i. e. t-pain and auto tune) Developments in sound systems correspond to how, when, and where we listen to music. The (cid:396)ise of (cid:1005)(cid:1013)(cid:1013)(cid:1004)(cid:859)s ele(cid:272)t(cid:396)o(cid:374)i(cid:272) da(cid:374)(cid:272)e (cid:373)usi(cid:272) (cid:271)egi(cid:374)s (cid:449)ith the fall of dis(cid:272)o. Dj(cid:859)s de(cid:448)eloped a (cid:374)u(cid:373)(cid:271)e(cid:396) of techniques to create new music. The dj(cid:859)s became central to the dance-music experience. While disco was still popular, larry le(cid:448)a(cid:374) esta(cid:271)lished hi(cid:373)self as o(cid:374)e of ne(cid:449) yo(cid:396)k(cid:859)s top da(cid:374)(cid:272)e dj(cid:859)s. As disco faded, levan developed his own approached to re-working and combining records. This new york approach to dance musi(cid:272) is ofte(cid:374) (cid:272)alled (cid:858)ga(cid:396)age(cid:859) Developed at chicago dance club called warehouse.
