CPCF 1F25 Lecture Notes - Lecture 10: Simone De Beauvoir, Feminist Film Theory, Judith Butler
6 Apr 2017
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How does film become political: production, distribution, exhibition. Who has access to films: money, geographical area. And what films do they have access to: forms of control: vertical integration and new hollywood. There is a relationship between who makes the film and what kind of films are being made. End of studio system is vertical integration no longer works: vertical integration is control, this allows different types of movies to be made, they become the money but theyre not involved in production, or exhibition, story/content. What kind of stories are being told: who is the protagonist, what is the nature of a protagonist in a certain culture, ative/passive characters, (cid:862)(cid:272)losu(cid:396)e(cid:863) A (cid:272)lea(cid:396) out(cid:272)o(cid:373)e i(cid:374) a (cid:374)a(cid:396)(cid:396)ati(cid:448)e (cid:894)eg. mu(cid:396)de(cid:396)e(cid:396) id"d, (cid:373)ale lead (cid:373)a(cid:396)(cid:396)ied to fe(cid:373)ale lead) Having a definite and final ending: that which defines a closed narrative form: as opposed to the structural openness of a soap opera, for instance.
