CO 1503 Lecture Notes - Lecture 2: Proscenium, Movable Seating, Dramatic Structure
Document Summary
They are incomplete until they have been translated onto a stage. Audience is most important because without one it is just a rehearsal. S(cid:272)ript does(cid:374)"t (cid:272)ha(cid:374)ge (cid:271)ut audie(cid:374)(cid:272)e a(cid:374)d perfor(cid:373)a(cid:374)(cid:272)e change. Theatre is live whereas film is not. Said all stories ha(cid:448)e to ha(cid:448)e a (cid:271)egi(cid:374)(cid:374)i(cid:374)g, (cid:373)iddle a(cid:374)d e(cid:374)d . Story has to have magnitude and depth. Point of attack: beginning of story, where action starts. Rising action: ebbs and flows, cat(cid:272)hes audie(cid:374)(cid:272)e"s atte(cid:374)tio(cid:374) Climax: biggest decision character makes, crisis. Denouement: falling action/epilogue, fulfills audience, puts story back in stasis- sense of normal, everyday life. Defines characters by stage directions, dialogue, and subtext. Subtext is the meaning behind the lines. Subtext is more prevalent in modern plays. Reading the text: what the characters are saying, how does it fit into the setting. Taking a close look at stage directions: what the characters are doing. Relationship of characters: do they talk differently to people.
