GER 1791 Lecture Notes - Lecture 10: Copeia, Hoffa, Nasreddin

• School: York University
• Department: German
• Course: GER 1791
• Professor: Diana Spokiene

Document Summary

The rise of the literary fairy tales and modernity in romanticism. Romanticism as a movement included many opposite forces. Expression in art, music, poetry, drama, literature and philosophy. Arose both as implicit and explicit criticisms of 18th century enlightenment thought. (cid:862)(cid:396)o(cid:373)a(cid:374)ti(cid:272)(cid:863) = romanz (in french) the authors of the middle ages and the renaissance, such as dante, ariosto, torquato. Tasso, cervantes and shakespeare, who abandoned classical forms, where seen as inventors of a romantic, fantastical style. In eighteenth-(cid:272)e(cid:374)tu(cid:396)(cid:455) e(cid:374)glish: (cid:862)(cid:396)o(cid:373)a(cid:374)ti(cid:272)(cid:863) = pi(cid:272)tu(cid:396)es(cid:395)ue, the fa(cid:374)(cid:272)iful a(cid:374)d the fa(cid:374)tasti(cid:272) with not altogether positive connotations. Largest movement to transform the lives of the western world. Originating during their romantic movement: copyright, urbanization. Identify a period in which certain attitudes approach. In 1798, friedrich schlegel (1772-1829), the leading critic of the early german romantic movement, defined romantische poesie as a (cid:858)p(cid:396)og(cid:396)essi(cid:448)e u(cid:374)i(cid:448)e(cid:396)sal poes(cid:455)(cid:859) links to classical and medieval literatures and its future-oriented mission and focused on foregrounding its critical capabilities.