CS101 Lecture Notes - Lecture 10: World Intellectual Property Organization, Middle Power, Copyright Modernization Act
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Hepard, (cid:862)you(cid:374)g ca(cid:374)adia(cid:374)s(cid:863) appre(cid:374)ti(cid:272)eship la(cid:271)our i(cid:374) user-generated content. Both articles are about the conditions of labour in media production. Hepard"s (cid:271)ig idea is (cid:862)the parti(cid:272)ipa(cid:374)ts(cid:863) o(cid:374)li(cid:374)e a(cid:272)ti(cid:448)it(cid:455) is see(cid:374) as a (cid:374)o(cid:374)-renumerative training ground, driven by the promise of notoriety that begets autonomous future employment in areas such as fashion, music and journalism. Throughout this process, young people must constantly negotiate their autonomy; negotiated autonomy is precisely what they are apprenticing into through ugc production, where uncertainty and flexibility serve as the hallmarks of new media working conditions (cid:862)negotiated auto(cid:374)o(cid:373)(cid:455)(cid:863) Banneran- ca(cid:374)ada"s u(cid:374)fulfilled pote(cid:374)tial as a (cid:862)(cid:373)iddle po(cid:449)er(cid:863) to positi(cid:448)el(cid:455) affe(cid:272)t progressive change because we allow copyright be driven by international trade concerns. Winseck on bill c-11 the copyright modernization act. Copyright at the heart of communication and culture. Copyright underpins the ownership of cultural commodities and therefore of the cultural industries as a whole. On the one hand, copyright acts as a n incentive to create.
