PUB 350 Lecture Notes - Lecture 5: Jonathan Franzen, Nobody Knows Anything, Marcel Proust

• School: Simon Fraser University
• Department: Publishing Program
• Course: PUB 350
• Professor: Jamie Broadhurst

Document Summary

Can good writing and the market coincide? (cid:862)the literar(cid:455) i(cid:374)dustrial (cid:272)o(cid:373)ple(cid:454)(cid:863) ted solotarff: no interest in publishing quality, stifle free expression, do(cid:374)"t e(cid:454)peri(cid:373)e(cid:374)t (cid:449)ith (cid:374)e(cid:449) authors, editorial has lost control, editors no longer edit. Jonathan franzen; a critic on commercialized publishing: 1996 perchance to dream. Jonathan franzen writes an elegy for the death of the socially engaged novel in the age of tv. The gift for oprah: it was my life it was the possibility for my life. Identity: therapeutic: good stor(cid:455) telli(cid:374)g (cid:272)a(cid:374) (cid:272)ha(cid:374)ge people"s life. Is an audience the same as readers: (cid:862) readers are(cid:374)"t (cid:448)ie(cid:449)ers; the(cid:455) re(cid:272)og(cid:374)ize their pleasure as differe(cid:374)t fro(cid:373) that of (cid:271)ei(cid:374)g e(cid:374)tertai(cid:374)ed. O(cid:374)(cid:272)e (cid:455)ou"(cid:448)e pressed the o(cid:374) (cid:271)utto(cid:374), the tv goes o(cid:374), a(cid:374)d o(cid:374), a(cid:374)d o(cid:374), a(cid:374)d all you have to do is sit and stare. Mendelsund, knopf: but each individual book is an experiential good; each is subject to double-sided uncertainty. Captured by the beauty of the writing.