SOC 202 Lecture Notes - Lecture 6: Fredric Jameson, Susan Sontag, Metanarrative

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The term entered into our popular discourse during the 60s, a time when much change was taking place was also resulting in the questioning of truth and universal thought. Susan sontag: for o(cid:374)tag, post(cid:373)oder(cid:374)is(cid:373) (cid:449)as (cid:373)arked (cid:271)(cid:455) a (cid:862)(cid:374)e(cid:449) se(cid:374)si(cid:271)ilit(cid:455)(cid:863) follo(cid:449)i(cid:374)g a collapse (or dislodging) of the binary of high and low. Modernism had become elitist, rarely containing the subversive impulse it once did and in effect, had become castrated to any subversive inclination. For frederic jameson, this change was the result of a particular shift: The (cid:862)(cid:272)lassi(cid:272)s(cid:863) (cid:894)(cid:272)a(cid:374)o(cid:374)(cid:895) (cid:449)ere o(cid:374)(cid:272)e oppositio(cid:374)al, (cid:271)ut had (cid:271)ee(cid:374) re-constituted through an endorsement of the academies (university, galleries and museums) to be dominant, or hegemonic. These texts become sanitized, normalized, expected and produces _________ A postmodernism does not only quote other cultural texts, but incorporate them to the point any distance between the two threatens to collapse. He (cid:272)alls this (cid:862)the death of the su(cid:271)je(cid:272)t, the e(cid:374)d of i(cid:374)di(cid:448)idualis(cid:373)(cid:863)

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