EAST 211 Lecture Notes - Lecture 6: Xia Dynasty, Peking Man, Chinese Mythology

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Early Chinese Mythology and History
No archeological evidence:
Three Cultural Heroes and Five Sage Kings 2852-2205 BCE
-
Xia dynasty 2100-1600 BCE
-
Archeological evidence:
Shang dynasty 1600-1046 BCE
-
Q: Why is the Shang dynasty generally considered the starting point of Chinese history
and culture in modern historical accounts?
*people have been in China for a very long time; much before Shang dynasty or '5000
years ago'
Anthropological context
People (been there a lot longer):
humanoids in China up until 1 million years ago
-
500,000 years ago: Peking man (tools and fire)
-
Modern humans (250,000 years ago)
In China: 20,000-40,000 years ago??
-
Neolithic (10,000 years ago): polished stone instruments
-
Shang dynasty, ca.1500 BCE (bronze and writing)
-
Shang Dynasty (1600-1046 BCE)
Bronze and writing
Shows sophisticated advancements in the period
-
Satellite societies
Mostly settled along the yellow river
Interconnected cities with a similar culture and recognized ruler
-
“Dynasty”
Single ruling family that rules for ~600 years
-
Other “bronze” cultures
Shang dynasty wasn't the only one with bronze culture at the time. We
don't pay attention to these societies as being the start of Chinese
society - why?
-
Why did they settle along the yellow river?
Travel
Less labour intensive to travel over water than land
-
Access to water
-
Downside: floods
-
Early Chinese Archeology: Discussion
Archeological evidence: What kind of archeological evidence would you expect
to find from ancient China (2000-1000 BCE)?
What could this evidence potentially tell us about early China? What
doesn’t it tell us about?
What kinds of things will you not find from this period?
-
Shang Dynasty Archeological evidence
Oracle bones (jiagupian 甲骨片)
1.
Bronzes2.
Tombs3.
Insights and limitations of archeological evidence
-
Religion in the Shang (1600-1046 BCE)
The Shang ruler as diviner/shaman
-
oracle bones (jiagupian 甲骨片) – discovered in early 20th C.
-
Oracle Bones
Divination:
plastromancy (turtle shells)
scapulimancy (cattle bones)
Character bu
-
Example of Oracle Bone Divination
[Preface:] Crack making on guisi day, Que divined:
-
[Charge:] In the next ten days there will be no disaster. [Prognostication:] The
king, reading the cracks, said, “There will be no harm; there will perhaps be the
coming of alarming news.”
-
[Verification:] When it came to the fifth day, dingyou, there really was the
coming of alarming news from the West. Zhi Guo, reporting, said, “The Du Fang
[a border people] are besieging in our eastern borders and have harmed two
settlements.” The Gongfang also raided the fields of our western borders.
-
Religion and Writing in the Shang
Divination and natural patterns (omens)
-
Writing as natural pattern
-
Ruler/shaman/historian (recorder)
Beginning of recorded history
-
Communication with spirits/ancestors
-
Oracle Bones: Religious Significance
Communication with spirits
-
Types of divination
-
Positive and negative symmetry
-
Oracle Bones
-Information about early Shang dynasty culture and the later Chinese culture
-First evidence of chinese writing
-Bones used for divination in which they recording questions and the
interpretation of the bones
-They were only discovered in the early 20th century
-Farmers used to till fields and come across the bones and they thought it was
dragon bones and take it to the pharmacist for medicine
-One side was a charge, or question, on the other was the hot poker; this was
the place that made cracks and the cracks were the answers
Charge read the crack => divination
-oracles bones reflects the unseen world, the sports are understood as being
ancestors who now live in the spirt realm
-Spirts in the Shang: Shangdi was a personal god, the lord on high, someone of a
distant ancestor of the ruler, but you can’t go directly to shangdi, you have to go
though the immediate ancestors
Oracle Bones: Beginning of Chinese Writing
Pictograms, Ideograms, Phonograms
pictograms are literal
Ideograms are pictures that convey meanings, like women under roof
meaning safe
Phonogram are characters that represents words, (sounds of the word
matters more)
-
Logograms: characters represent words Chinese words: monosyllabic, disyllabic,
etc. Ex. train 火車 (fire + car)
-
Chinese Characters
Pic on slide
-
Spirits in the Shang
Di or Shangdi 上帝 “The Lord on High”
-
ancestral spirits
-
nature deities (sun, cloud, snow, river)
-
“living with ancestors”
-
Shang and Zhou Bronzes
Bronze Motifs
Taotie 饕餮
-
Double profile
-
Bronzes
-Import source of information
-Evidence of Bronze in the Shang
Produced in the next dynasty as well (Zhou)
Demonstrates use of metal working
-Social stratification involved; someone has the wealth for someone else to pay
and commission this,
Elite class who runs this
Man in Mouth motif
-They have motifs, or themes that tells us how the shang conceptualized the
sports
-the face is a composite, not just animal imagery, but it blends different
elements between different animals
-Often have a double profile
-Shaman has a familiar to guide them in the spire realm and this is represented
in the man in mouth motif
Tombs: Grave Goods and the Afterlife
-Tombs help us to understand what the worldly life was like for these people
Tomb becomes shaped as a house that you can live in
-Tomb of Lady Hao
Tomb of the lady Hao was important as she was probably a great warrior
Still a patriarchal society but she was important
-They would sometimes bury people alive with the deceased
Over time however, this human sacrifice becomes less common, real
beats in tomb are less common as well
“living environments”: food, drink, weapons, utensils, jewels, family members,
servants, etc.
Needed to provide all of this stuff for the deceased to take with them into
the next realm
-
Tomb of the First Emperor of Qin, 221-206 BCE)
Estimated over 8,000 soldiers, 130 chariots with 520 horses and 150 cavalry
horses
-
-Terracotta warrior tomb
Early Chinese Mythology and History
Question: Which do you think tells us more about Chinese culture—traditional
Chinese mythology or the archeological record? Any connections between the
two?
-
Question: Should the Shang dynasty be considered the starting point of Chinese
culture? Why or why not?
-
Next Week: Zhou Dynasty State Formation and Cosmology
Monday: Correlative Cosmology (yin/yang, etc.) Jeaneane and Merv Fowler,
“Rhythms of the Universe,” 39-64
-
Wednesday: Poetry and Music, Stephen Owen, trans, “Selections from “The
Classic of Poetry: ‘Airs,’” 30-32; “Using the Poems and Early Interpretation,”
64-71; and “The One Who Knows the Tone,” 286-287.
-
2: Early Archaeology
Wednesday, January 10, 2018
9:31 AM
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Early Chinese Mythology and History
No archeological evidence:
Three Cultural Heroes and Five Sage Kings 2852-2205 BCE
-
Xia dynasty 2100-1600 BCE
-
Archeological evidence:
Shang dynasty 1600-1046 BCE
-
Q: Why is the Shang dynasty generally considered the starting point of Chinese history
and culture in modern historical accounts?
*people have been in China for a very long time; much before Shang dynasty or '5000
years ago'
Anthropological context
People (been there a lot longer):
humanoids in China up until 1 million years ago
-
500,000 years ago: Peking man (tools and fire)
-
Modern humans (250,000 years ago)
In China: 20,000-40,000 years ago??
-
Neolithic (10,000 years ago): polished stone instruments
-
Shang dynasty, ca.1500 BCE (bronze and writing)
-
Shang Dynasty (1600-1046 BCE)
Bronze and writing
Shows sophisticated advancements in the period
-
Satellite societies
Mostly settled along the yellow river
Interconnected cities with a similar culture and recognized ruler
-
“Dynasty”
Single ruling family that rules for ~600 years
-
Other “bronze” cultures
Shang dynasty wasn't the only one with bronze culture at the time. We
don't pay attention to these societies as being the start of Chinese
society - why?
-
Why did they settle along the yellow river?
Travel
Less labour intensive to travel over water than land
-
Access to water
-
Downside: floods
-
Early Chinese Archeology: Discussion
Archeological evidence: What kind of archeological evidence would you expect
to find from ancient China (2000-1000 BCE)?
What could this evidence potentially tell us about early China? What
doesn’t it tell us about?
What kinds of things will you not find from this period?
-
Shang Dynasty Archeological evidence
Oracle bones (jiagupian 甲骨片)
1.
Bronzes
2.
Tombs
3.
Insights and limitations of archeological evidence
-
Religion in the Shang (1600-1046 BCE)
The Shang ruler as diviner/shaman
-
oracle bones (jiagupian 甲骨片) – discovered in early 20th C.
-
Oracle Bones
Divination:
plastromancy (turtle shells)
scapulimancy (cattle bones)
Character bu
-
Example of Oracle Bone Divination
[Preface:] Crack making on guisi day, Que divined:
-
[Charge:] In the next ten days there will be no disaster. [Prognostication:] The
king, reading the cracks, said, “There will be no harm; there will perhaps be the
coming of alarming news.”
-
[Verification:] When it came to the fifth day, dingyou, there really was the
coming of alarming news from the West. Zhi Guo, reporting, said, “The Du Fang
[a border people] are besieging in our eastern borders and have harmed two
settlements.” The Gongfang also raided the fields of our western borders.
-
Religion and Writing in the Shang
Divination and natural patterns (omens)
-
Writing as natural pattern
-
Ruler/shaman/historian (recorder)
Beginning of recorded history
-
Communication with spirits/ancestors
-
Oracle Bones: Religious Significance
Communication with spirits
-
Types of divination
-
Positive and negative symmetry
-
Oracle Bones
-Information about early Shang dynasty culture and the later Chinese culture
-First evidence of chinese writing
-Bones used for divination in which they recording questions and the
interpretation of the bones
-They were only discovered in the early 20th century
-Farmers used to till fields and come across the bones and they thought it was
dragon bones and take it to the pharmacist for medicine
-One side was a charge, or question, on the other was the hot poker; this was
the place that made cracks and the cracks were the answers
Charge read the crack => divination
-oracles bones reflects the unseen world, the sports are understood as being
ancestors who now live in the spirt realm
-Spirts in the Shang: Shangdi was a personal god, the lord on high, someone of a
distant ancestor of the ruler, but you can’t go directly to shangdi, you have to go
though the immediate ancestors
Oracle Bones: Beginning of Chinese Writing
Pictograms, Ideograms, Phonograms
pictograms are literal
Ideograms are pictures that convey meanings, like women under roof
meaning safe
Phonogram are characters that represents words, (sounds of the word
matters more)
-
Logograms: characters represent words Chinese words: monosyllabic, disyllabic,
etc. Ex. train 火車 (fire + car)
-
Chinese Characters
Pic on slide
-
Spirits in the Shang
Di or Shangdi 上帝 “The Lord on High”
-
ancestral spirits
-
nature deities (sun, cloud, snow, river)
-
“living with ancestors”
-
Shang and Zhou Bronzes
Bronze Motifs
Taotie 饕餮
-
Double profile
-
Bronzes
-Import source of information
-Evidence of Bronze in the Shang
Produced in the next dynasty as well (Zhou)
Demonstrates use of metal working
-Social stratification involved; someone has the wealth for someone else to pay
and commission this,
Elite class who runs this
Man in Mouth motif
-They have motifs, or themes that tells us how the shang conceptualized the
sports
-the face is a composite, not just animal imagery, but it blends different
elements between different animals
-Often have a double profile
-Shaman has a familiar to guide them in the spire realm and this is represented
in the man in mouth motif
Tombs: Grave Goods and the Afterlife
-Tombs help us to understand what the worldly life was like for these people
Tomb becomes shaped as a house that you can live in
-Tomb of Lady Hao
Tomb of the lady Hao was important as she was probably a great warrior
Still a patriarchal society but she was important
-They would sometimes bury people alive with the deceased
Over time however, this human sacrifice becomes less common, real
beats in tomb are less common as well
“living environments”: food, drink, weapons, utensils, jewels, family members,
servants, etc.
Needed to provide all of this stuff for the deceased to take with them into
the next realm
-
Tomb of the First Emperor of Qin, 221-206 BCE)
Estimated over 8,000 soldiers, 130 chariots with 520 horses and 150 cavalry
horses
-
-Terracotta warrior tomb
Early Chinese Mythology and History
Question: Which do you think tells us more about Chinese culture—traditional
Chinese mythology or the archeological record? Any connections between the
two?
-
Question: Should the Shang dynasty be considered the starting point of Chinese
culture? Why or why not?
-
Next Week: Zhou Dynasty State Formation and Cosmology
Monday: Correlative Cosmology (yin/yang, etc.) Jeaneane and Merv Fowler,
“Rhythms of the Universe,” 39-64
-
Wednesday: Poetry and Music, Stephen Owen, trans, “Selections from “The
Classic of Poetry: ‘Airs,’” 30-32; “Using the Poems and Early Interpretation,”
64-71; and “The One Who Knows the Tone,” 286-287.
-
2: Early Archaeology
Wednesday, January 10, 2018 9:31 AM
Unlock document

This preview shows pages 1-2 of the document.
Unlock all 5 pages and 3 million more documents.

Already have an account? Log in

Document Summary

Three cultural heroes and five sage kings 2852-2205 bce. *people have been in china for a very long time; much before shang dynasty or "5000 years ago" People (been there a lot longer): humanoids in china up until 1 million years ago. 500,000 years ago: peking man (tools and fire) Interconnected cities with a similar culture and recognized ruler. Single ruling family that rules for ~600 years. Shang dynasty wasn"t the only one with bronze culture at the time. Less labour intensive to travel over water than land. The shang ruler as diviner/shaman oracle bones (jiagupian ) discovered in early 20th c. [preface:] crack making on guisi day, que divined: [charge:] in the next ten days there will be no disaster. [prognostication:] the king, reading the cracks, said, there will be no harm; there will perhaps be the coming of alarming news.

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