PERF104 Lecture Notes - Lecture 4: Moscow Art Theatre

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PERF104 Lecture Notes Wednesday 22nd March 2017
The Cherry Orchard
- Play written in 1904. Originally conceived as a comedy.
- Chekov developed a new style with his plays and needed a new place to perform
them.
- Therefore, he looked to the Moscow Arts Theatre
o Dedicated to social idealism
o Wanted to make theatre vibrant and alive.
o Wanted to make it more intimate
Prior to the Moscow Arts theatre
- 19th century playhouses squashed people in.
- haraters ould’t hae deep eotioal sees. It ould’t e see y the people
up the back.
Cheko’s dialogue is sutle ad full of sigifiae. Filled ith syoli eaig. Reeals a
lot about the characters.
Offstage and inner action:
- things happen off stage that impact the characters.
- What happens on stage seems to have a deeper meaning.
- Tie does’t see to atter i Cheko’s plays.
Charaters i Cheko’s plays see to e alays sittig aroud talkig aout the past.
His haraters aste their lies. They do’t lie for the moment.
- Human beings do reminisce and procrastinate.
There is eer a tie that is etter tha the tie you’re liig o.
He is also talkig aout the Russia reolutioary soiety i the herry orhard. If you do’t
get on board with the change, you a’t surie.
The Cherry Orchard represents something: sentimental value.
Lyubov Andreevna is so caught up in the past, she is unable to make important decisions.
“he does’t hae uh oey ayore, ut she used to. “he os the lad the Cherry
Orchard is on.
Lopakhin is advancing into the future. He offers Lyubov Andreevna a solution: sell the cherry
orchard estate and you can have money to live off for the rest of your life. He is a realist
who knows that the only way to survive is to change with the times.
Lopakhin is not a greedy capitalist. He is a decent man.
Tropimov is a studet ho eer oes o fro eig a studet. He does’t really hae a
aitio to use his studies to ake a areer. All of Russia is our Orhard hits to the
metaphor of the Cherry Orchard.
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Document Summary

Chekov developed a new style with his plays and needed a new place to perform them. Therefore, he looked to the moscow arts theatre: dedicated to social idealism, wanted to make theatre vibrant and alive, wanted to make it more intimate. 19th century playhouses squashed people in. (cid:272)hara(cid:272)ters (cid:272)ould(cid:374)"t ha(cid:448)e deep e(cid:373)otio(cid:374)al s(cid:272)e(cid:374)es. It (cid:449)ould(cid:374)"t (cid:271)e see(cid:374) (cid:271)y the people up the back. Cheko(cid:448)"s dialogue is su(cid:271)tle a(cid:374)d full of sig(cid:374)ifi(cid:272)a(cid:374)(cid:272)e. filled (cid:449)ith sy(cid:373)(cid:271)oli(cid:272) (cid:373)ea(cid:374)i(cid:374)g. re(cid:448)eals a lot about the characters. Offstage and inner action: things happen off stage that impact the characters. What happens on stage seems to have a deeper meaning. Ti(cid:373)e does(cid:374)"t see(cid:373) to (cid:373)atter i(cid:374) cheko(cid:448)"s plays. Chara(cid:272)ters i(cid:374) cheko(cid:448)"s plays see(cid:373) to (cid:271)e al(cid:449)ays sitti(cid:374)g arou(cid:374)d talki(cid:374)g a(cid:271)out the past. There is (cid:374)e(cid:448)er a ti(cid:373)e that is (cid:271)etter tha(cid:374) the ti(cid:373)e you"re li(cid:448)i(cid:374)g (cid:374)o(cid:449). He is also talki(cid:374)g a(cid:271)out the russia(cid:374) re(cid:448)olutio(cid:374)ary so(cid:272)iety i(cid:374) the (cid:272)herry or(cid:272)hard.

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