PERF104 Lecture Notes - Lecture 2: Semiotics, Jargon, Paralanguage

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PERF104 Lecture Notes Wednesday 8th March 2017
Semiotics of Theatre
Semiotics is essentially symbols
- People ake judgeets aout others all the tie o thigs like people’s lothes,
skin colour, if they smell.
- This is using semiotics.
A regular theatre goer should be able to go to the theatre and not be completely taken by
surprise because of the codes of performance. Someone who is less experienced, might be a
bit shocked.
Sometimes the codes of theatre can be blurred. E.g. if two audience members begin fighting
iiously, the audiee a eoe ofused eause they do’t ko that those audiee
members are actually actors.
We can understand a performance if we have knowledge of theatre semiotics.
Communication:
1. Source the people responsible for creating the performance, actors, director,
backstage crew, playwright etc.
2. Transmitter the things these people use to transmit the message to the
performance. Actors use their voices; costume people use make up and costumes.
Technical people use lights. Musicians use music.
3. Signal for example, movement of an arm. Is sent through channels.
4. Channels to hear a voice uses soundwaves. To see a movement uses light waves.
5. Noise can interrupt the performance and the communication. Is something that
is’t supposed to happe, like a late arrial, a ator forgets their lies, tehial
difficulties.
6. Receiver receives the signals sent through the channels.
7. Destination the audience member. Where the signals end up.
This is not a one-way communication. The person receiving the communication can
contribute to the performance. The spectator can contribute by
- Laughing
- Crying
- Applauding
- Commenting
- Answering questions
- Looking attentive
- Being open to what is happening
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People (cid:373)ake judge(cid:373)e(cid:374)ts a(cid:271)out others all the ti(cid:373)e o(cid:374) thi(cid:374)gs like people"s (cid:272)lothes, skin colour, if they smell. A regular theatre goer should be able to go to the theatre and not be completely taken by surprise because of the codes of performance. Someone who is less experienced, might be a bit shocked. Sometimes the codes of theatre can be blurred. E. g. if two audience members begin fighting (cid:448)i(cid:272)iously, the audie(cid:374)(cid:272)e (cid:272)a(cid:374) (cid:271)e(cid:272)o(cid:373)e (cid:272)o(cid:374)fused (cid:271)e(cid:272)ause they do(cid:374)"t k(cid:374)o(cid:449) that those audie(cid:374)(cid:272)e members are actually actors. We can understand a performance if we have knowledge of theatre semiotics. Communication: source the people responsible for creating the performance, actors, director, backstage crew, playwright etc, transmitter the things these people use to transmit the message to the performance. Actors use their voices; costume people use make up and costumes. Musicians use music: signal for example, movement of an arm. Is sent through channels: channels to hear a voice uses soundwaves.

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