HIST112 Lecture Notes - Lecture 9: Cinema Of Australia, Jedda, Secondary Source

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HIST112 Lecture Notes Wednesday 3rd May 2017
Sources and Context
- I this uit, ee thought aout historial fils as idos ito the era i hih
they were made.
- They give us insights into the attitudes and preoccupations of the people who make
them and the context of their own day.
- E.g. Spartacus is a primary source for the era the film is made but a secondary source
for ancient Rome.
- E.g. “hidlers List told more about an event in the 1990s than it did about the
Holocaust.
What are they?
- Primary source
o Anything created in a particular historical period that people use to learn
about that period
o E.g. “oloo Northups eoir
- Secondary Sources
o Accounts of the past that have been created after the event.
o E.g. 12 years as a slave
The Film
- Budget = $10.5 million
- Shot over 7 weeks in South Australia, mostly in Flinders Rangers.
- 2nd biggest grossing Australian film of the year.
- The last time a film with Indigenous characters worked at the Australian box office
was back in the 1950s with Charles Chauvels Jedda.
- The role Aborigines usually play in Australian films largely reflects their standing in
society in general: largely invisible.
The Plot
- Set in 1931.
- 14 year old Molly, 8 year old Daisy and their 10 year old cousin Gracie live in the WA
town of Jigalong.
- Protetor of Aorigies, A.O.Neille, takes these girls to his re-education camp by
force.
- They escape to return to Jigalong via the Rabbit Proof Fence
- Neville tries to capture them, however has to suspend his search because he was
unable to fund it.
The Book
- The film is based on the book, Follow the Rabbit Proof Fence, by Doris Pilkington
about the journey of her mother, Molly.
- The key event of the 1500km trek home through the desert is true.
- The film deviates from the book in some ways.
Phillip Noyce
- Australian born director, successful in Hollywood before he returned to make Rabbit
Proof Fence.
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- First film Backroads (1977) set in outback NSW. Starred Aboriginal political activist
Gary Foley
- Made Clear and Present Danger, Bone Collector, Salt.
- Why does this matter?
o “hos hes redile i his field ad highly respeted.
o Popular director = funding for the film and more viewers.
Australias Assiilatio Poliy
- Assiilatio is forig soeoe fro aother ulture to adopt a outrys ulture.
- Assuptios of assiilatio is that its easy, that the host ulture is superior, that
the mainstream culture is willing to accept assimilation, that there is a culture to
assimilate into.
- The film is set in 1931, as Australian governments were responding to increasing
numbers of mixed race children.
o Aboriginals were dying out, however mixed race children were being born.
- At this point, Governments were moving from a focus on Protection to a policy of
Assimilation.
- In 1937, a meeting of Australian state goerets resoled that the destiy of the
natives of Aboriginal origin, but not of the full-blood, lies in their ultimate absorption
y the people of the Cooealth.
- Many of the quotes in the film about assimilation were said at the 1937
Commonwealth Aorigial Welfare Coferee, or oe fro A.O. Neilles o
writings.
- At this oferee, Neille opely asserted that he had the poer uder the at to
take any child from its mother at any stage of its life, no matter whether the mother
be legally arried or ot.
- 1934 western Australian royal commission looked at the locations of the Moore
river settlement and declared that the settlement was unfit for aboriginals to live
The Stolen Generations
- Assimilation in WA involved the removal of large number of Indigenous children
from their families in order to be trained as whites.
- Usually involved institutionalisation, although later in the century it also involved
adoption.
- Targeted Aboriginal people were not allowed to speak languages other than English
nor engage in any indigenous cultural practices.
- Assimilation was often understood as a temporary period of tutelage before the
aorigial prole as soled.
A.O. Neville
- Chief protector of Aborigines in Western Australia from 1915 until 1940.
- Did have an obsession of skin colour and how it defined a person.
- Presided over the policy removing Aboriginal children from their parents.
- Strong believer in the biological absorption of Aboriginal Australians into the general
population
- More than 25% of Noongar ere reoed i this ay ad set to aps, like the
Moore River camp in the film.
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Document Summary

I(cid:374) this u(cid:374)it, (cid:449)e(cid:859)(cid:448)e thought a(cid:271)out histori(cid:272)al fil(cid:373)s as (cid:449)i(cid:374)do(cid:449)s i(cid:374)to the era i(cid:374) (cid:449)hi(cid:272)h they were made. They give us insights into the attitudes and preoccupations of the people who make them and the context of their own day. Spartacus is a primary source for the era the film is made but a secondary source for ancient rome. (cid:272)hi(cid:374)dler(cid:859)s list told more about an event in the 1990s than it did about the. Primary source: anything created in a particular historical period that people use to learn about that period, e. g. Secondary sources: accounts of the past that have been created after the event, e. g. Shot over 7 weeks in south australia, mostly in flinders rangers. 2nd biggest grossing australian film of the year. The last time a film with indigenous characters worked at the australian box office was back in the 1950s with charles chauvel(cid:859)s jedda.

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